Wednesday, December 17, 2008

Finale Pictures

The sickly orange haze on the horizon


Its blurry when you first stumble upon it


The rain, the darkness, the ominous landscape


A light shines in the distant abyss



Starting to see a path now



Closer



A skeleton



But is half-dead or half-alive




A tanglible resurrection




And still our monuments stand that once screamed vengeance to the heavens, now the broken jaw of our lost cities...



A yet there's life here still...



These streets, so pretty, but here?




The old city still stands, desparate now




A lamp-post, lonely, shines against the frigid darkness...a fairy tale?



But I know you, I walked with you once upon a dream so long ago...





A now these glass panes let a tiny million lights shine through against the darkness



This old building...I'm surprised it still stands




Alive after this long dead winter




Just waiting for the right season to come





Where two worlds will meet




I can barely see inside now...to make out the signs...




I can only imagine what riches lie behind these locked doors


...shining so brightly...






















Monday, December 15, 2008

Finale- Sustainability

OK, so…

Here’s my finale…sans photos…as usual. But those will just have to be posted a little later, bear with me.

I realize my “Reclamation” and “Orange” pieces were really about urban decay. Nature and our concrete world are constantly at odds. Supposedly, it’s starting to ruin the environment and thoughts of the apocalypse are on the rise again. Like Y2K….

I’m a biology major and I’m not saying that global warming is a hoax. I just realize how the whole idea has fallen into the political sphere. And politicians are not scientists. But before our country breaks out into a panic, thinking the Earth will become the next “terrorist”, lets explore all of our options. OK?

Think of how fast the history of America is progressing. America has “evolved” much faster than any other country. Constantly adapting to changes. But how well are we adapting? There are some deleterious mutations out there. So no swimming in the gene pool, kiddies, it’s polluted. And now we, the people, have to manually fix this ourselves. Great, that’ll be easy. Why can’t this just naturally occur over time? Gosh! Supposedly time is running out…Ready, set, GO! Right?

But where do we run? We already fled our cities. At least, those of us that could leave. And now the urban landscape is in serious crisis. So what do we do? Do we keep getting further and further away until we live in the rural country where its supposedly safer? But people farm out there…and talk funny, WTF? OK, I’ll just encase myself in a giant SUV and spend half my life in the car getting from place to place and making sure my children’s lives are peachy-keen and my neighborhood is “exclusive”. Oh wait, that doesn’t work either. But the cities have… “them”. And “they” will hurt the children. (FYI…I’m referring to an amalgamation of irrational fears with “them”…make of it what you will)

I have news, guys. The American Dream with its white-picket teeth is dead. Yup. Actually, it was only ever in our imaginations anyway. But, as Americans, we’re too damn proud to look for another solution. Do you realize that the American Dream first arose in a time when the definition of a “mansion” was a house that is somehow starting to look pitifully small to a lot of people? Is bigger really better? That’s just more “stuff” to deal with if you ask me…So yeah, downsizing requires relinquishing some of our random “stuff”. But did you really use it anyway?

Now if only we could all live in proximity of each other. And by “all” I mean every race, social class, ethnicity, however people are “defined”. Hey look! A “black” person. For president! I think that, as a people, we’re ready to finally mix. Remember that mixing bowl theory? Still mostly a theory, guys. Screw the salad bowl, fondue is so much tastier than lettuce with stale white bread on top.

America needs to take a lesson from nature.

Consider this fact about ecosystems: When an organism dies, the decomposition of its body aids in putting nutrients back into the soil. This process keeps life sustainable. That’s the key word. Sustainable.

Now think about our cities. The buildings “die” and take up space. And of course they take what seems like eons to us to finally decompose. And why do these buildings die? Because they no longer have a “purpose” like an old industrial building. Well, now America’s post-industrial and these sites are our long lost cities.

Ever wonder what this constant idea of “demolish and rebuild” is doing to our culture? What is “American” culture? The whole country is homogenizing with these giant corporations in power. Like Wal-mart. Eventually everything will look exactly the same in terms of landscape with the exception of climate and geographical differences.

It only takes a few years for an area to go from “barren” to completely inhabited by people. Our native people didn’t live like that. They lived in harmony with the land instead of claiming ownership of small pieces of it and then abruptly tearing it apart. Generation after generation of Native Americans saw the same landscape as their forefathers. In the current American culture, every couple decades the landscape has changed almost entirely. Ever wonder where our nostalgic tendencies come from? Because hind-sight is 20/20 – For example, Shockoe Bottom used to have a creek running through it that was “filled in”. All that water had to go somewhere. That’s why Church Hill is unstable and tunnels collapse. Amazing.

The latest trend in urban planning is restoring these post-industrial buildings to usable space….usually residential. You literally walk where the previous generations walked. This could possibly be a generation in your own family. How cool is that?

Well, to some people it’s just not “fashionable”. I actually saw a historic renovation in Oregon Hill the other day with a sign that said “I’m gorgeous inside”. Am I sensing a parallel to my first series?? So yeah, the building may not look all perfect, ginormous, and brand spankin’ new. But look where that attitude got our economy and the housing market.

The final series of pictures I will post are from the construction of Rockett’s Landing and then an abandoned site near it that still has restorable buildings. Ever see those billboards along the interstate for Rockett’s Landing? They usually say “the suburbs have lost their luster”. Rockett’s Landing includes post-industrial renovation into high price condominiums with some of the best views of the city. Its decadent, I know. But these wealthy people will give their tax money to Richmond instead of a surrounding county. The best part, I think, is that the site lies just East of where the city seems to abruptly start ending. Why did expansion occur to the North, South, West but not East? Because the Eastside is “scary”. Time for CHANGE.

Now I’m going to let you in on a little secret of mine. I usually have to keep it to myself at VCU. Politically, I’m on the right side of the spectrum. Yup. I’m a conservative. Surprised? My point is that sustainability is something we should all be concerned with. It’s not an issue of “left” or “right”.

The Earth does not hate humanity. If anything, we have learned to hate the Earth. Human beings think they are just so damn brilliant. How could nature possibly know better? Especially if all life originated from one big chemical reaction that just refused to end. Oops, that was sarcasm. My bad.

Tuesday, December 9, 2008

Overlay

The chapter in Overlay on feminism and pre-history presented some ideas that relate well to my project. My first series, "Natural Beauty", commented on women's social issues and represented the female form. Long, natural hair was also a metaphor for the earth and it's capacity to sustain and heal itself. My later series dealt with reclamation and the power of nature as well as the negative impact of mankind on the earth.

In Overlay, Lippard writes, "women artists have emphasized the earth vicitmized and fighting back" (52). These female artists often relate this to their own experience as a woman being dominated and vulnerable in a patriarchal society. I didnt consciously intend this in my own work. However, I can draw parallels between my commentary on women's issues and mankind's mistreatment of nature.

The "Natural Beauty" series addressed, among other things, the unrealistic standards of beauty for women. I intended for my viewer to miss the deeper significance of the work as a woman is often overlooked based on her appearance. These beauty standards for women in our society are encouraged ultimately by men.

My hair represents a rebellion against these standards in the way I let it grow untamed and refuse to damage it with harsh chemicals and heat appliances in a vain attempt to be more attractive. Likewise, the earth fights back against the damage of mankind inflicting order upon its so-called chaos. My "Reclaiming" series represents this rebellion and the "Orange" series shows the pollution that results from the abuse of nature.

Another quote from Lippard, which I read in class, sums up this problem well:

"Our civilization has placed cement between us and the earth, pollution between us and the sky, technology between us and the seasons. We have lost our rural/matriarchal connection with natural phenomena, and its resurrection seems less and less likely in an increasingly urbanized world" (45)

Friday, December 5, 2008

Robert Smithson

Here are some photos and earthworks by Robert Smithson that relate to some of my own work.

This is from his series “Monuments of Passiac” taken in New Jersey in 1967.


These two are from “Hotel Palenque” taken in Mexico in 1969.




This earthwork is called “Glue Pour” and it was done in Vancouver in 1969.












To see more of Smithson’s works, you can check out his website at www.robertsmithson.com





Wednesday, December 3, 2008

House in Charleston SC like Earth Art Project




The modular "super adobe" homes we saw yesterday in class made me think of this house I saw in Charleston SC. I wonder if that project inspired this home...


Final "Orange" Series Photos

The entrance of the Church Hill Tunnel was shown in my last post. The site also has extensive contamination. The orange color seen here is caused by the oxidation of metal pollutants.



The orange also creeps down the front face of the tunnel entrance. The byproduct of the oxidation reaction is probably highly acidic. This likely has greatly eroded the remains behind this wall….


A dumpster outside of the abandoned building from Jackson Ward also appears to contain similar contaminants.












Final "Reclaiming" Photos - Church Hill Tunnel

This site is the western entrance of the historic Church Hill Tunnel. The tunnel was built by Chesapeake and Ohio Railway in 1875. The tunnel collapsed in 1926 due to the shrink-swell clay surrounding it. The flooded site is considered unsafe to recover. Today, several bodies and train cars remain buried behind this wall.
















The tunnel now acts as a grave and a memorial as well as a historic landmark. Prof. Birchett mentioned that this site is like a cairn.

The reclamation of Church Hill occurred quickly and unexpectedly. We often assume that nature will only take back what we abandon and leave to waste. This swift overtaking shows the power of nature and our false sense of victory over its forces.

Also on the site is an abandoned warehouse that likewise has to do with reclamation.




























Here's a few pictures inside the warehouse...

















This gas pump probably dates to around 1940.


























More "Reclaiming" Photos - Jackson Ward

This abandoned building is located on Leigh St. in Jackson Ward. Ironically, the building was once a rehabilitation center.



Several times I’ve noticed this plant growing on a second story window ledge.


This is as far as I got inside…